In which Natalie Portman and Hugo Weaving fight to free Londoners from a tyrannical dictatorship. At least I assume that's Hugo Weaving, which is something that must be taken on trust.
The Plot: Britain is a repressive dictatorship headed by the autocratic High Chancellor Adam Sutler (John Hurt). Our story centers on Evey (Natalie Portman), a low-level employee at the state-run TV network, who meets a masked crime fighter named V (Hugo Weaving).
My Reactions: I have not read the graphic novel by Alan Moore and David Lloyd, and my ignorance will no doubt be glaringly obvious at several points in this post. I had some interest in watching this movie when it first came out, but I never got around to it. A couple of years later it was playing on a long-distance bus and I sorta-kinda paid attention to it; what I gleaned from it was little more than 'Huh, Stephen Fry's in this'.
Meanwhile, the visuals of the movie grew in popularity, as anti-establishment protestors the world over took up V's mask as an iconic symbol. V's mask is based upon the old Guy Fawkes masks that British kids used to wear, but the masks you see at demonstrations nowadays use the specific style Moore & Lloyd invented. I realize V's mask design dates all the way back to the original 1982 graphic novel, but (as is so often the case) it was the movie that propelled the story and its accompanying visual look to the attention of mass culture.
So finally I decided that I ought to watch the movie properly, for the purpose of increasing my cultural literacy. I liked it, while at the same time I understood it's a movie that relies more on looking really cool than on having a coherent plot and characters. I'm not convinced the story is as substantial or as unproblematic as its blossoming fame among the young and disaffected, who I generally sympathize with, deserves. Perhaps I should read the graphic novel.
If you care about spoilers stop reading here. My thoughts, in no particularly well-organized order:
- V is really a jerk, isn't he? His treatment of Evey is absolutely appalling. He does manage to transform her into a badass and this is a universe where being tough is an important asset, but that doesn't retroactively excuse all that he puts her through. Now, this doesn't wreck the movie, as it might if V were the sole main protagonist and we were supposed to empathize with him fully. In fact, I find it strengthens the movie, as it makes V into less of a sympathetic human and more of a symbol of an impersonal force.
- We never see V's face, but we are led to believe it is a horrific ruin, a wreckage of burned flesh completely devastated by fire. But there's one part of V's face that we know was spared: his lips. He can speak perfectly well, producing the full range of English consonants without impediment, including his favorite consonant, which requires an intact lower lip to produce correctly. See for yourself: try to say 'V for Vendetta' out loud without using your lips. Just once I'd like to see a tragic hero with a facial scar whose injury causes them to lisp.
- The fact that Stephen Fry plays himself (more or less) makes it all the more shocking when he dies. He's called by a different name in the movie, but he plays a highly cultured, homosexual, articulate, erudite comedian and TV personality, and many viewers probably saw him and thought 'Oh, this universe has a Stephen Fry too'. Then the High Chancellor's goons murder him.
- Speaking of which, I really feel sorry for the two guys who play High Chancellor Adam Sutler in the comedy skit that gets Fry killed. Think about it. They were probably young aspiring comedians who thought themselves lucky to get minor roles as on-screen clowns on national TV. When they had to do the fateful skit, they probably thought, 'Well, this seems like it's treading on dangerous ground, but Mr. Fry says it's OK, so I'm sure we'll be fine.' We never find out what happened to them, but the consequences could not have been pleasant.
- The idea of using Guy Fawkes as a symbol strikes me as problematic. Fawkes didn't want to blow up Parliament to free the people from tyranny. He wanted to blow up Parliament in order to replace an autocratic Protestant regime with an autocratic Catholic regime, which I hope most British people nowadays would consider a lateral move at best. Maybe there's something I'm missing as a foreigner.
- That subplot with the police inspector nudged the plot forward a few times and provided some exposition. But I won't remember anything about it a year from now, even though the rest of the movie has lots of memorable scenes that will stick with me.
- I can't be the first person to point this out, but let's think about V's final battle logically. V is facing down a half dozen bad guys, led by chief goon Creedy, and he invites them all to take a shot at him. They open fire and keep shooting him until they run out of ammo, tearing apart his body armor and fatally wounding him. Then it's V's turn to move, and he kills the bad guys with his knife, one after another. (This particular part, I can suspend my disbelief for.) V expected to die in this battle, but he also expected to have at least a chance of killing Creedy first. Isn't it remarkably lucky for him that not one of the bad guys shot him in the head?