by Kelly Link
This collection of Kelly Link short stories entertained me marvelously. Link's an SF (speculative fiction, the big-tent genre) writer, mostly fantasy with forays into science-fictional and horror territory, and usually with a good amount of sardonic humor.
These stories are of diverse settings and moods, and I assume are a good representative sample of Link's oeuvre. (Aside from these, my Kelly Link exposure has been a couple of stories I heard in audio form on Podcastle: Some Zombie Contingency Plans and The Hortlak.)
All of these stories center around young people, and I suppose that one who wished to classify everything could call these stories 'Young Adult'. Bear in mind that these aren't kid's stories, in case you have pejorative associations for that term.
So what do we have in this volume?
The Wrong Grave is about a teenage boy, Miles, whose girlfriend Bethany was killed in an accident. An aspiring poet (but not a very good one), Miles stuck the only copy of some of his poetry into her coffin in a romantic gesture, but a year later he regrets what he's done and he digs up her grave to get the poems back. Miles apparently manages to exhume the wrong teenage girl, who gets rather annoyed at Miles.
This is a universe where a just-exhumed dead person can walk and move and talk, and everyone treats it as normal. I like this. This is something you probably couldn't pull off in a novel. If reanimated dead people are not an amazing sight in this universe, it stands to reason that they are not uncommon, and that demands acknowledgement that this is a different society than the one you and I live in, and then you have to pull out the worldbuilding kit. Make no mistake, that could make for a really fun novel, but it would be different from what Link is doing here.
It's a feature of the short-story form that the notion of a world with unusually verbose dead people can be pulled off successfully with no explanation necessary.
The Wizards of Perfil is set in a fantasy world with a roughly 19th-century level of technology. A family fleeing war sells off daughter Halsa, who had incessantly bullied her siblings and her orphaned cousin Onion, to an agent of the legendary Wizards of Perfil, so as to have more money and fewer mouths to feed. Halsa possesses telepathic powers; so does Onion, and this allows them to maintain a channel of communication as the geographical separation between them grows.
This story's a charmer. Don't have much to say about it other than that I like the worldbuilding and the more-hinted-at-than-actually-delineated magic system.
Magic for Beginners is... well, drat. Look, in 1939 a guy named Ernest Vincent Wright wrote a novel called Gadsby that didn't use the letter 'e', just to show he could. I'm going to have to do something similar if I want to describe this story without using the word 'quirky'. I feel obliged to do this because many people have a severe allergic reaction to the Q-word, and it would be a shame if they miss out on Link's story just because I describe it as q***** twice in the same sentence, which could happen if I don't pay attention.
This story is about a teen named Jeremy, and his family (including a best-selling horror father who specializes in books about giant spiders), and his friends in Vermont. And it's also about the wonderfully creative little TV show called The Library that they all watch.
The Library is a likably eccentric show, put out on an irregular schedule, which has built a loyal cult following. There are many details about it that attract me, but best is the conceit that they have a troupe of actors and rotate many of the leading roles among them. The most popular character is a woman named Fox who has never been played by the same actor twice. I don't know why, but I love this idea.
The plot deals with Jeremy's family, and the odd inheritance (a public phone booth outside of Las Vegas) that he receives, and his friends' love for and fervent analysis of The Library. This story won a well-deserved Nebula Award.
The Faery Handbag is about a young lady's relationship with her eccentric grandmother Zofia, an immigrant from Badeziwurlekistan who brought a very special handbag over from the old country.
I love how this story takes a plot with a bare-bones structure that, let's face it, is reminiscent of tales that have been told at bedsides and around campfires for generations, and very successfully marries it with modern idiom and worldview, giving it a firm grounding in the (to us) mundane. This story won not only a Nebula but also a Hugo.
The Specialist's Hat is a ghost story that centers on the two girls who live in a creepy old house with their father, who is writing a book about the creepy old poet who lived in the same house around the turn of the century. This story successfully convinces the reader that the word 'specialist', when spoken in the right way, is a very creepy word.
Monster is about a group of boys at camp. The boys of Bungalow 6 head into the woods for a night of camping. They're nervous after hearing stories of a boy-eating monster from their peers in Bungalow 4, but they don't let that stop them; they can't let themselves wimp out now, can they?
The viewpoint shifts to a nerdy boy named James Lorbick, who puts on a dress and pretends to be a zombie because he is willing to play the role of group weirdo if it means the other boys will accept him in it. The monster appears. He and James have a conversation. People are eaten.
The Surfer centers on a young soccer phenom who is kidnapped by his father and flown to Costa Rica where his father has connections to a UFO cult. Just then, a deadly flu strain breaks out, and father and son and various other people are quarantined together in Costa Rica, forced to interact, learn, and mature.
The UFO cult in this story was born several years ago when aliens arrived, picked up an airheaded surfer, and dropped him back to Earth minutes later. The aliens then left the planet behind, apparently for good. Ever since then the surfer's been preaching an utterly generic gospel of love and peace. Nobody in this world really doubts the existence of the aliens; rather, the skeptics tend to think it was the bad luck of humanity that the person the aliens randomly chose was this brainless dolt. No wonder they packed up and left so quickly.
The Constable of Abal is the second of the stories in this book to be set in a 'high fantasy' setting (although it appears to be a different universe from 'The Wizards of Perfil'). Ozma's a girl who works as her mother Zilla's assistant, as Zilla uses the family ability to see and interact with ghosts to blackmail and bamboozle families in the city of Abal. One day things go wrong and Zilla is forced to murder a constable; they flee the city. Ozma hides the constable's ghost in her pocket, and the two grow quite fond of one another. They settle in another city, where Zilla insists they take up the lives of utterly respectable people. There are strange things happening and people who clearly know more than they are letting on. Like 'The Wizards of Perfil', this story is quite good at the worldbuilding.
And finally, Pretty Monsters. On one plane of existence, a girl named Clementine develops a hopeless crush on an older boy named Cabell when he saves her life after she sleepwalks into the sea. As the years pass, Clementine can not let go of her crush, even as Cabell gets married and moves to Romania...
But that's all fiction, a bad paranormal romance novel that Lee, a private school girl, is reading. Lee and her friends are getting ready to deliver their classmate's Ordeal (read: hazing ritual), and Lee retreats back into the book every time things go off-plan (which is often). The target of the hazing is Czigany, an Eastern European diplomat's kid. Czigany insists she has to be back home at five so she can take her never-precisely-explained 'medicine'. Her friends make promises, that they have no intention of keeping, that of course she'll be back in time. You can guess where this is going. Part of it, anyway.